September 8, 2022 — It was my second play this season in Meredith, New
Hampshire at the Winnipesaukee Playhouse’s outdoor amphitheater, built in 2020
to provide a safer outdoor space for patrons during the pandemic. In July, “Robin Hood,” was terminated right about the halfway point
when rain sent actors and audience scurrying for cover. The rain continued and
the play was not resumed that evening. Full credit for admission was granted to
all attendees in the form of gift certificates. The play would be in its final
run the next day, not convenient for me, so I held on to my certificate until
today’s play, never learning how “Robin Hood” ended.
Today’s presentation was the most unusual performance
I’ve ever seen. “The Conference of the Birds” is a 900 B.C. sufi poem by Farid
ud-Din Attar. This stage version was written by Peter Brook and Jean-Claude
Carriere in 1977. The Winnipesaukee Production was wonderfully directed by
Teisha Duncan. Klimchak (he only uses one name) composed and performed the
score. The many colorful costumes were designed by Nick Cochran.
The cast, each playing multiple roles, featured Lupa
Aguilar, Sarvin Alidaee, Nazlah Black, Erica Colarusso, Krystal Pope, Viviana
Renteria and Alyssa Naka Silver. Klimchak was seated off to the side of the
stage with all the instruments and other devices he used to produce the musical
score and other sounds.
I have to own up to the fact that before I could
complete writing down my impressions of this play, I had to do some research.
The play moved too fast for me to catch all the dialog, action and underlying
subtleties. The plot goes like this — the birds of the world have to decide who
is to be their king. The leader of the birds tells them they have to cross
seven valleys to reach Simorgh. The valleys are Quest, Love, Knowledge,
Detachment, Unity, Wonderment and last but not least the valley of Poverty and
Annihilation. Got that? Of course, these valleys are all human qualities and
failures.
The cast of seven, in colorful costumes, face paint,
masks and other adornments, frequently changing to different characters,
performed beautifully in just an hour without intermission at a hectic pace, very
close to the audience in the small amphitheater. Unlike my earlier experience,
there was no danger of a rain-out on this sunny day with moderate temperature
in the 70s in New Hampshire’s Lakes Region.