"Miss Julie"

June 14, 2018 — Interpreting this 1888 play by August Strindberg is a bit much for me to get into. Suffice it to say it's about class and gender and jealousy, all taking place in the kitchen of a manor house in Sweden. I'll just concentrate on the excellent performances by three actors.

This adaptation of "Miss Julie" by Howard Brenton was directed for the Winnipesaukee Playhouse in Meredith, New Hampshire, by theatre KAPOW co-founder Matt Cahoon. A valet at the manor, Jean, was played by Nicholas Wilder. Rebecca Tucker appeared in the title role. The other theatre KAPOW co-founder, Carey Cahoon, who once played Miss Julie herself, in this presentation had the rather understated role of Kristin, a housekeeper. Of course, any role would have seemed understated compared to Wilder and Tucker's scenery-chewing performances, or in the case of Tucker, near destruction of the scenery late in the play.

Jean is a valet to the earl of the manor. Kristin is referred to as his fiancée, but their relationship is strangely lacking in affection. Miss Julie is the daughter of the count who owns the estate. Her relationship with Jean is unmistakably passionate, but with dire consequences. Much is open to interpretation, or can be what you want it to be. That's why I'm not commenting on it. My take on it could be very different from someone else's. You have to see it.

In about 75 minutes with no intermission, the play gathers emotional momentum as it progresses. Wilder gave one of his patented over-the-top performances. I love watching him. Tucker had the fieriest role I've ever seen her in. These two actors were mesmerizing. Cahoon, a versatile actress I've seen many times in a variety of parts, had the least time on-stage and the smallest amount of dialog, but her facial expressions and body language said volumes.

Andrew Stuart's set design,  Lori McGinley's sumptuous costumes, Tayva Young's lighting and Neil Pankhurst's sound and a well-placed chorus enhanced the performances.