"Gypsy"

June 23, 2015 — It was with some trepidation that I took to the road for New London, New Hampshire where I had a reservation for "Gypsy" at the New London Barn Playhouse. The meteorologists were forecasting a chance of heavy rain, hail in some places, damaging winds, and even a tornado threat! In fact, a tornado did touch down in Massachusetts. The temperature was near 90 and you could cut the humidity with a knife, real storm-breeding conditions. But the worst never happened, the sky cleared, the humidity dried up and the evening was beautiful.

I had seen "Gypsy" nine years ago, but had forgotten enough of it so I could enjoy it as a new experience once again. This production of the legendary musical based on the memoirs of stripper Gypsy Rose Lee with music by Jule Styne, book by Arthur Laurents and lyrics by Stephen Sondheim, was directed for the New London Barn by Peter Hackett.

The New London Barn excels at musical productions, and this one met their usual high standards. Anne Torsiglieri led the fine cast as Mama Rose. With her powerful voice, she's a worthy successor to Ethel Merman who originated the role on Broadway. My only complaint is that her endless domineering control of her daughters' careers became a bit tiresome late in the show. But her finale, "Rose's Turn," brought the house down. Eric Bunge was perfect as her long-suffering love interest. Acting intern Caroline Jackosn was irresistible as the daughter Mama Rose doted on and attempted to promote through the first act.

Another intern, Kimberly Pine, played Mama Rose's neglected daughter until (small spoiler alert) she undergoes a remarkable transformation in the second act that really showcases the considerable talent of this aspiring actress.

With great dance numbers and classic songs like "Small World," "Everything's Coming Up Roses," "Together Wherever We Go" and others, it was a memorable evening that had the near full-house enthralled throughout.